News and Events

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Marina van Zuylen On Teaching Baudelaire

Marina van Zuylen, professor of French and comparative literature at Bard, appeared in a session hosted by the Teagle Foundation as part of a workshop series on methods to strengthen general education. Van Zuylen speaks about how she has taught Charles Baudelaire’s “The Bad Glazier” throughout the years, and how those teaching approaches have shifted as the needs of her students have changed over the past 20 years. “This is a wonderful text because it introduces us to so many questions,” said van Zuylen. “For me this text was a perfect example of art as an escape… It’s an escape because, it’s also a text about maybe the quality of desire, the quality of when we act for reasons that we don’t ourselves understand and this is something that is so exciting about literature. Only in literature, maybe, can we get this sense that characters act in a way that is forbidden in real life.”

Post Date: 12-16-2024

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Bard College and Six Faculty Awarded New York State Council on the Arts Grants 

Six Bard College faculty members have been named as recipients of grants from the New York State Council on the Arts (NYSCA) for 2025. NYSCA Support for Organizations grants were awarded to Erika Switzer, assistant professor of music and director of the Postgraduate Collaborative Piano Fellowship at Bard, Lucy Fitz Gibbon, visiting faculty in vocal arts at the Bard College Conservatory of Music, Sarah Hennies, visiting assistant professor of music, and Suzanne Kite, distinguished artist in residence, assistant professor of American and Indigenous Studies and director of the Wihanble S’a Center for Indigenous AI at Bard.  Additionally, Bard College received a Support for Organizations Award for 2025 in the amount of $40,000. NYSCA Support for Artist grants were awarded to DN Bashir, assistant professor of theater and performance at Bard, and Ann Lauterbach, professor of languages and literature.The NYSCA grants are intended to increase access to arts funding and recognize the substantial economic and social impact of New York state’s arts and culture sector. 

Erika Switzer and Lucy Fitz Gibbon will receive a grant in support of operational expenses and projects at Sparks & Wiry Cries, an organization, cofounded by Switzer and where Fitz Gibbon serves as managing editor, that curates opportunities for art song creators, performers, and scholars with innovative initiatives. These projects will include the upcoming Brooklyn premieres of Meltdown, a dramatic work for mezzo and piano trio which engages the layered stories and science of climate change through the lens of a female glaciologist, and Skymother, which weaves together the family history of composer Timothy Long (Choctaw, Muscogee Creek) with the Haudenosaunee creation story, Sky Woman.

Sarah Hennies, along with her duo partner, Tristan Kasten-Krause, a bassist and composer, will receive the grant for their new work Saccades for double bass and percussion at the Wassaic Project, an artist-run nonprofit contemporary art gallery, artist residency, and art education center. The piece is to be performed in total darkness with a single candle flame.

Suzanne Kite will receive a grant for the proposed project, Owáǧo Uŋkíhaŋblapi (We Dream a Score), her first full orchestral work for her organizational partner, the American Composers Orchestra (ACO). The piece continues Kite’s exploration of individual, collective, and societal dreaming practices, using an Indigenous AI framework. NYSCA funding supports the development of an AI app in collaboration with the Brooklyn-based design firm School. Members of the ACO and the public will submit their dreams to the app, which transforms language into Lakȟóta Visual Language symbols. 

DN Bashir’s Hollow House, sponsored by JACK Arts Incorporated, follows a group of New York residents meeting at a farm-to-table restaurant in an old house in the Hudson Valley. Inspired by Chekhov’s The Cherry Orchard, it explores unspoken power dynamics and “the systems that hold us captive.” 
 
Ann Lauterbach will be awarded a grant in support of her project called “The Meanwhile: Linear Ruptures and Simultaneous Narratives,” which will have a performance and possible exhibition at the Flowchart Foundation. 

 

Post Date: 12-10-2024

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Joseph Luzzi's Translation of Dante's Vita Nuova Reviewed in Open Letters Review

Asher B. Edelman Professor of Literature Joseph Luzzi’s translation of Dante’s Vita Nuova was reviewed by Steve Donoghue for the Open Letters Review. The new translation was published on December 3 by W.W. Norton’s imprint Liveright. Donoghue’s short review focuses on how Luzzi adapts Dante’s sometimes mystifying prose work. Donoghue notes that translators of the Vita Nuova have been surprised and “slightly taunted” by the work, and that “Luzzi aims for clarity without slavish stylistic imitation, [likening] his translation process to laying a transparent film over Dante’s text.” Luzzi’s “leaner” translation, he writes, is one reason readers can appreciate his updated, more modern version.

Luzzi has taught at Bard since 2002, and his previous book Botticelli’s Secret: The Lost Drawings and the Rediscovery of the Renaissance was named one of the New Yorker’s Best Books of 2022.

Post Date: 12-02-2024

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Internationally Renowned Writer Joyce Carol Oates Will Give a Reading at Bard College on October 21

On Monday, October 21, at 4 pm, internationally renowned writer Joyce Carol Oates will give a reading at Bard College in the Chapel of the Holy Innocents. Oates is a recipient of the National Humanities Medal, the National Book Critics Circle Ivan Sandrof Life Achievement Award, the National Book Award, the Jerusalem Prize for Lifetime Achievement, the Prix Femina, the PEN/Malamud Award for Excellence in the Art of the Short Story, and the Cino Del Duca World Prize, among many other honors. She has written some of the most enduring fiction of our time, including the national best sellers We Were the Mulvaneys, Blonde, and the New York Times best seller The Falls.

The reading, which is being presented as part of Bradford Morrow’s course on innovative contemporary fiction, is free and open to the public. With Morrow, Oates is co-editing Conjunctions:83, Revenants, The Ghost Issue, which will be published in November. Revenants will bring together fiction and poetry on the “unliving-living” by a wide array of esteemed writers, such as Margaret Atwood, Carmen Maria Machado, Ben Okri, Paul Tremblay, Stephen Graham Jones, Patricia Smith, Valerie Martin, Jonathan Carroll, Reggie Oliver, James Morrow, Can Xue, Brian Evenson, Paul Muldoon, and others.

Joyce Carol Oates is the Roger S. Berlind ’52 Distinguished Professor of the Humanities Emerita at Princeton University and has been a member of The American Academy of Arts and Letters since 1978.

Post Date: 09-24-2024

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Bard Prison Initiative Announces Javier Fuentes as Paris Review Visiting Professor

The Bard Prison Initiative (BPI), in partnership with the Paris Review, is pleased to announce that Javier Fuentes has joined its faculty through the Paris Review Visiting Professorship, a position created for a distinguished writer to teach a course on literature that has inspired them. Fuentes, a Spanish-American writer and 2018 Lambda Literary Fellow, is the author of Countries of Origin, a novel which chronicles a tumultuous, passionate love affair between two young men from vastly different worlds during one, extraordinary summer in Spain. Fuentes’s first course for BPI, called Physical and Psychological Spaces in Literature, will explore the way time and place affect the structure of literary narrative. The Paris Review Visiting Professorship is just one of many additions that BPI, now in its 25th year, is embarking on for expanding its academic program, faculty, and community.

Post Date: 09-24-2024

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Professor Marisa Libbon Reviews Two Books About Jane Austen and English Fashion in the European Review of Books

Bard Associate Professor of Literature Marisa Libbon published her review of two books about Jane Austen’s clothes, “Needle and Pen: Dressing is writing or, the clothes in the writer’s closet”, in the latest issue of the European Review of Books. The two books she reviews, the monograph Jane Austen’s Wardrobe by Hilary Davidson and the novella The English Understand Wool by Helen DeWitt, both explore how bespoke clothing can be a mirror of the people it was made for. Beyond just reviewing these works, Libbon presents selections of Austen’s fashion to explore how Austen “shaped her novels and her wardrobe simultaneously.”

Writing about the 1990s (a period when four of Austen’s novels were adapted to film and TV) as the “Age of Austen”, Libbon explains how important Regency-era fashion has been to our understanding of the period and how it has sometimes eclipsed the actual author. Austen’s wardrobe, Libbon argues, is where we can find information we’ve overlooked about Austen’s life. Putting this information beside DeWitt’s novella, she concludes that fashion and the written word both help us remember the past: “the words we use, like the clothes we wear, give us shape.”

Post Date: 09-16-2024