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Bard Literature Program
Main Image for Requirements and Courses

Requirements and Courses

Cole Heinowitz, Associate Professor of Literature. Photo by Scott Barrow
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Program Requirements

  • Moderation Overview
    A student planning to major in the Literature Program must take Literature 201 (Narrative/Poetics/Representation) and at least four additional courses in the Division of Languages and Literature. One of these courses may be a Written Arts workshop and one may be a language instruction course. 
    For Moderation, the student submits a critical essay written for Literature 201 or one of their other literature courses, as well as the two short reflection papers required by all programs. These papers are evaluated by a board composed of the student’s adviser and two other members of the Literature Program faculty.
    More about Moderating in Literature
  • Graduation Requirements
    By the time of graduation, students must take at least one course that focuses on literature written before 1800 and at least one course that focuses on literature written after 1800. Courses that satisfy the pre-1800 requirement will be designated as such in the course list.  Moderated students must enroll in a minimum of one 300-level seminar and are strongly encouraged to take at least one world literature course and one junior seminar before embarking on the Senior Project.  In order to graduate, students must also complete a Senior Project and enroll in the year-long Senior Colloquium in Literature (Literature 405-406).
  • The Second Focus
    Students who wish to pursue a second focus in Literature must complete a minimum of five 4-credit courses in the program, all of which must be taken for a letter grade. Of these five courses, no more than two may be at the 100-level; at least one must be at the 200-level; and at least one must be at the 300-level, though second focus students are encouraged to enroll in at least two 300-level courses. Courses in Written Arts and foreign language instruction will not count toward fulfillment of the second focus requirements. However, advanced literature courses that carry the Foreign Language designation as well as literature courses that are taught in translation will count.

    The Second Focus

    Students who wish to pursue a second focus in Literature must complete a minimum of five 4-credit courses in the program, all of which must be taken for a letter grade. Of these five courses, no more than two may be at the 100-level; at least one must be at the 200-level; and at least one must be at the 300-level, though second focus students are encouraged to enroll in at least two 300-level courses. Courses in Written Arts and foreign language instruction will not count toward fulfillment of the second focus requirements. However, advanced literature courses that carry the Foreign Language designation as well as literature courses that are taught in translation will count.

    Literature 201 (Narrative/Poetics/Representation) is not a requirement for the second focus; it is designed primarily for students planning to moderate into Literature. 

    Coursework for the second focus must be completed by graduation. No more than two courses taken outside of Annandale may count toward fulfillment of the second focus, conditional on the Literature Program director’s approval. A student who wishes to petition the Literature Program for substitution of up to two courses completed outside of Annandale toward fulfillment of the second focus must provide to the Literature Program director the relevant course syllabi, evidence of successful course completion (if not already available through the student’s record on BIP), and a compelling written rationale that explains the way(s) in which the course or courses in question intellectually enrich the student’s second focus. At least one course at the 300 level must be completed at Annandale.

Moderation Requirements

Note: Boards are centrally scheduled by the program. Students may name up to three faculty members in addition to the adviser in contributing to the board composition process. One of those three requests will be selected; a third member is designated as an “outside” member who will not necessarily know the student or his/her work personally.

  • Preparing for Moderation
    1. Students submit two short papers to the Registrar (due dates posted on the online academic calendar).
    2. Moderation Boards are composed of the student’s adviser and two other members of the Literature Program faculty. After the Moderation Boards have been determined with the input of both student and adviser, Literature students submit both short papers as well as a critical essay for moderation. The critical essay should represent what the student feels to be his or her strongest work to date. 
    3. Students should bring all three papers to the Moderation Board and be prepared to discuss them constructively and critically.
  • Moderation Papers
    • Paper 1: Approximately two pages. This paper should reflect on the process that has led the student to this point (e.g. motivation to study literature in the Upper College, courses taken, areas of particular interest, areas for improvement).
    • Paper 2: Approximately two pages. This paper should reflect on the student’s aspirations for work in the Upper College (e.g. intended courses, intended areas of focus, ideas for the Senior Project).
    • The Critical Essay: The critical essay should represent what students feel to be their strongest work to date and must be taken from either LIT 201 or one of the student’s other Literature courses.

The Senior Project Process

Senior Projects in Literature represent a year’s worth of writing, research, and thinking. Students usually decide on the nature of their Senior Project in the spring of their junior year and are matched with a faculty member in Literature to serve as their Senior Project adviser at that time. The student meets with this adviser once a week for an hour or so throughout the senior year to discuss the Senior Project, which generally ranges from 40 to 70 pages in length.

  • The Midway
    At the end of the first semester of the senior year, there is normally a Midway, the purpose of which is to give the student feedback on what he or she has accomplished thus far in the project and advice on how he or she might best complete the project. The adviser and one other faculty member, normally in Literature, serve on the Midway Board. The second faculty member should be contacted no later than before Thanksgiving Recess.
  • The Submission of the Senior Project
    Senior Projects are due three weeks prior to the last day of classes. The deadline is strictly enforced. Projects submitted a few days after the deadline will be marked down.

    At the end of junior year, those moderated students who wish to pursue a Senior Project in the Written Arts must apply to, and receive explicit permission from, the writing faculty. 
  • The Senior Project Board
    The Senior Project Board takes place between the deadline for Senior Project submissions and the end of the semester. Normally, the same faculty members who served on the Midway Board also serve on the Senior Project Board. Students may opt to receive either a letter grade or a pass/fail grade for their project. If they wish to receive a pass/fail grade, they must state so at the beginning of the meeting.
  • Research + How-To Guide
    This guide is a starting point for research into literature for your Senior Project. It covers the print and online sources in the Stevenson Library as well as information to help you effectively use these resources. If you need additional help or have further research needs, please feel free to contact Alexa Murphy, or ask any staff member in the library.
    LIT 405 Senior Colloquium Library Guide

Current Courses in Literature

  • Current Courses
    View the Literature course list for the current semester. You may also browse a list below of courses that are offered periodically, but not necessarily this semester.
    100/200-Level Courses  300/400-Level Courses

Sample Courses

Historical studies in the comparative, English, and American literature traditions are organized into sequences. 

LIT 201 Pre-Moderation Required Courses

Important note: LIT 201 replaces the former LIT 103 Moderation requirement for Literature and Written Arts. Students who have already taken LIT 103 should not enroll in this course.

  • LIT 201A  Narrative / Poetics / Representation
  • LIT 201B  Narrative / Poetics / Representation
  • LIT 201C Narrative / Poetics / Representation

100-Level Courses

  • LIT 162 The Dean's Colloquium: Reading Three Nineteenth-Century Novels

200-Level Courses

  • LIT 204C Comparative Literature III: The Religion of Art, The Aesthetics of Life
  • LIT/HR 218 Free Speech
  • LIT 2084 Literature of Experiment
  • LIT 2103 Modern Ireland
  • LIT/RUS 220 An Appointment with Dr. Chekhov
  • LIT 2205 Stalin and Power
  • LIT 2227 Dostoevsky Presently: Poetics, Philosophy, Politics, & Psychology
  • LIT 2291 Fictions of Southeast Asia
  • LIT 2404 Fantastic Journeys and the Modern World
  • LIT 241 Sex, Lies and the Renaissance
  • LIT 2451 The Art of Chinese Poetry
  • LIT 2461 Global Modernism
  • LIT 2471 The Gothic
  • LIT 249 Arthurian Romance
  • LIT 251 English Literature II: Enlightenment & its Specters
  • LIT 259 American Literature III: What Does it Mean to Be Modern?
  • LIT 263 What is a Character?
  • LIT 2670 Women Writing the Caribbean
  • LIT 279 Japanese Folklore
  • LIT 287 The Ring of the Nibelung

300- and 400-Level Courses

  • LIT/MES 303 Petroculture
  • LIT 3043 Melville
  • LIT 3205 Love and Death in Dante
  • LIT 322 Representing the Unspeakable
  • LIT 3251 Climate Fiction
  • LIT 331 Translation Workshop
  • LIT 334 Fantastika and the New Gothic
  • LIT 3356 Modernism and Fascism: Cultural Heritage and Memory
  • LIT 3432 Literature in the Digital Age
  • LIT 353 Shakespeare's Tragedies
  • LIT 3888 Asian American Literature
  • LIT 405 Literature Senior Colloquium I
  • LIT 406 Literature Senior Colloquium II

World Literature Courses

World Literature courses explore the interrelations among literary cultures throughout the world. They pay special attention to such topics as translation, cultural difference, the emergence of diverse literary systems, and the relations between global sociopolitical issues and literary form.LIT 2071 Modernity and Modernism in the Arabic Literature

  • LIT 2291 Fictions of Southeast Asia
  • LIT 2451 The Art of Chinese Poetry
  • LIT 2461 Global Modernism
  • LIT 2670 Women Writing the Caribbean
  • LIT 279 Japanese Folklore
  • LIT/MES 303 Petroculture

Pre-1800 Courses

  • LIT 241 Sex, Lies and the Renaissance
  • LIT 2451 The Art of Chinese Poetry
  • LIT 249 Arthurian Romance
  • LIT 3205 Love and Death in Dante
  • LIT 353 Shakespeare's Tragedies

Requirements for Graduate Study

Students contemplating graduate work in literature might bear in mind that there is no equivalent to Bard’s Literature Program, with its combined offerings in literature, foreign languages, and creative writing. Instead, there are departments of English (where students are expected to study the literature of the British Isles, the United States, and other Anglophone countries); departments of French, German, Italian, etc. (where students are expected to study the literature of these national traditions); and departments of comparative literature (where students are expected to study multiple literatures in their original languages). There are also a few graduate programs in rhetoric, for students interested in argumentation and discourse studies.

Requirements for Graduate Study


Master’s Programs
Master’s programs prepare students to teach at private high schools or junior colleges. (To teach at public high schools, it is necessary to obtain, not an MA in literature, but a teacher’s certification or a master of arts in teaching [MAT], which is a separate process.) In order to obtain a master’s degree, students take a certain number of classes and either pass master’s exams or write a master’s thesis. When students are accepted into master’s programs, they are not normally provided with financial support for their studies by the university and, as a result, tend to support themselves with loans and part-time jobs.
  • It takes between one and two years to obtain an MA, depending upon the particular program and the financing the student receives.

Doctoral Programs
Doctoral programs prepare students to teach at four-year colleges or universities and to become scholars in their fields. In some programs, students must obtain an MA prior to proceeding to the PhD level, while in other programs they proceed directly to the PhD. In order to obtain a doctorate, students must write a dissertation, which constitutes an original contribution to the scholarship of one’s field. When students are accepted into doctoral programs, they are normally provided with financial support for their studies by the university, in the form of fellowships or teaching assistantships.
  • It takes between four and seven years to obtain a PhD, depending upon the particular program and the financing the student receives.

Bard Graduate Programs

Bard MAT
The Master of Arts in Teaching (MAT) Program at Bard College responds to an urgent need for change in public education. This transformation requires teachers who can help secondary school students develop the thoughtful self-determination that builds from a genuine enthusiasm for learning. Bard MAT

Bard MFA
Students interested in creative writing can apply to Master of Fine Arts (MFA) programs in this area; these programs are entirely separate from those preparing students to teach literature. Bard MFA
 

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